This image is another in a series I am gradually building based on woodland and Intentional Camera Movement (ICM). The photograph was taken at Lakeside in Doncaster, South Yorkshire, England – a man-made water parkland. My aim was to create an impression of the scene rather than producing a factual representation of this particular piece of woodland.
The image was taken hand-held at arms length with the exposure settings of 1 sec, f16, ISO 100 and a 35mm focal length – so a very rapid, mainly vertical movement of the camera. I’ve developed the image using the RAW converter, Capture One Pro Version 9 (a great piece of software for this sort of image). In post-processing I have tried for a oil/acrylic painting effect using the tools available within Capture One Pro (rather than Photoshop filters) to accentuate the textures, patterns and colours, particularly within the birch trees. In addition to the usual tweaks with things like ‘Clarity’ (mid tone contrast for those who aren’t familiar with Capture One), the most important action for me was to change the ‘White balance’ from the original value of 3,707 °Kelvin, Tint +3 (as shot) to 3,400 °K, Tint -0.5 to give colder colours and a more silvery/blue colour palette to accentuate the silver birches more and give a greater feel of luminosity to the foreground trees. An unwanted side effect of that change was to make the grass bluer so I used the Colour Editor tool in Capture One to select the colour of the grass, tell it to construct an adjustment mask based on that colour (a fantastically useful option within this RAW converter) and then I adjusted the saturation of the grass so it looks more natural. I can’t sing the praises enough of Capture One’s ability to create a complex mask in an image like this in seconds just by clicking on one point in your image to select the colour you want the mask to cover wherever it occurs in the image.
Finding the right balance between creating an impressionistic photograph using ICM and retaining the detail you want (for example the thin ‘sticks’ just in front of the large tree in the background) is something that requires some experimentation, but for me it’s worth the time since the results open up new creative options and give us ‘non-painters’ more of an opportunity to capture what we see in our minds rather than simply factually, documenting the landscape scene we find before us.